RRR isn't the "spectacle" it is made out to be, argues Sreehari Nair.
The heist stretch of the movie is not without imagination, but arriving at that chunk, and sitting through what follows, can be bad for your skin, warns Sreehari Nair.
The verdict for the week.
Krrish 3 is a outrageous mishmash of Bollywood sentimentality meets E.T. meets Superman meets X-Men.
Sunil Grover is good but its Pankaj Tripathi who stands out with his bang on comic timing.
For all the glitz and glamour, politically and socially aware emphasis on representation and support for Ukraine, the 94th Annual Academy Awards was largely a bore.
Irumbu Kuthirai an uninspiring and lacklustre tale of a guilt-ridden biker, who blames himself for a freak bike accident that causes the death of his beloved father.
One sees a lot more of the aliens in this edition though not necessarily in a good way, wites Sukanya Verma.
SuSu Sudhi Vathmeekam handles the subject of physical limitations judiciously without trying to manipulate a viewer's emotions, writes Paresh C Palicha.
What Sukanya Verma loves about Kenneth Branagh's extravagant vision is he gives us a Cinderella that's got a little more spirit and penchant for horse-riding if not the hand-drawn delicacy or singing prowess of her animated avatar.
Vinod Mirani gives us his weekly verdict.
The biggest let down of Ishq Forever is the story, writes Namrata Thakker.
'You walk out of Mukkabaaz feeling good about yourself, but unlike Kashyap's best pictures, it releases you from the responsibility of seeing yourself in it; the movie is darn clever, most of the way, but it hardly has any wisdom,' says Sreehari Nair.
Director Karan Malhotra overstuffs a simple family story about strained ties into a nearly three-hour long cacophonous music video, writes Sukanya Verma.
Despite the Oscars, the box office glory, and the universal acclaim, Francis Ford Coppola, I am sure, remembers The Godfather with as much frustration as pride. Like Michael Corleone, he got into it with the best of intentions, and got out of it on top but lost in the heights. Sreehari Nair revisits the film as it turns 50 this month.
Neerja Pandey's Baby, one must say, wouldn't have been as interesting without the lead troika.
Enna Satham Indha Neram is a dull and unexciting film revolving around four 8-year-olds who get lost in a zoo during a school excursion.
Watch Love Games only if you have nothing to do this weekend, says Namrata Thakker.
Ittefaq has a gagster attitude, plenty of light touches, and it announces Abhay Chopra as a mainstream talent to watch out for, says Sreehari Nair.
The film appears to be an intermediate draft of a work-in-progress file.
In case you missed him too, watch the clip.
Here's a contender designed to fill the void left by the boy wizard and those chaste vampires.
As we celebrate 20 years of the epic, Namrata Thakker takes a look at the cast and sees what they have been up to since.
It's mostly a shabby hand-me-down, a moronic piece of filmmaking that fails to deliver on any front, says Sukanya Verma.
'My entire house turn their backs on me when a cricket match is happening.' 'The minute I look at the TV screen, an Indian player gets out.' 'So if I do enter the room, I have to sit with my back to the TV.'
'I can't wait to see Sushant spin his magic one last time,' notes Namrata Thakker.
Divergent is clearly made for its already existent fan base, with the best loved bits and pieces of the book shoved on to screen with hardly any adhesive to keep them together, feels Paloma Sharma.
Faux feminism aside, Mardaani is mostly a middling action thriller, writes Sukanya Verma.
It is difficult to understand why Johnny Depp agreed to make Mortdecai, says Paloma Sharma.
Logan Lucky and It have many chuckle-worthy moments.
According to The New York Times, this move means that many highly vulnerable people will begin receiving the vaccine within days. It further called the authorisation by the FDA as a 'historic turning point' as the US death toll from the Wuhan-originated virus nears 300,000.
Rio 2 features some lovely, complex animation and a vivid, cheerful colour palette but is a one-time watch at best, says Paloma Sharma.
© 2026 Rediff.com - Investor Information - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances